High Blood Pressure? Avoid this Trio!

by Dr. Mark Wiley Diet is a crucial component of any hypertension reduction and prevention strategy. For many patients, particularly those with diabetes or pre-diabetes, it…

“Made in Chinatown” Movie Tells a Different Chinatown Story

In order to revitalize the economic development of the Chinatown community in Manhattan , the A&C Culture Center and Tambuli Media and Vision Films held an event in front of the Chinese House in New York on the 12th. The background film “Made in Chinatown” lion dance and press conference, hope that through the film, more people are welcome to Chinatown.

Rene Navarro: Man of Parts, Master of Chinese Arts

Rene has gone to the source of the ancient knowledge several times. He traveled to Chengdu in Sichuan in 1983 to study various forms of Wu Shu, such as northern spear, sword, monkey fist and cudgel. He was in China again a few years ago to teach English as a means of livelihood, but the main purpose was to explore further the ancient traditions of Shaolin kung fu in places where it is still being taught by venerable masters.

Mark V. Wiley Reflects on “Made in Chinatown”

In order to become a wiseguy and win the love of his dream lover, the young Chinese guy who grew up in Chinatown decided to join the Italian “gangster”. Will he be accepted or rejected? Chinese girl or Italian beauty, which one did he choose? Once lost in Chinatown, can he finally find himself? All the answers are in this movie “Made in Chinatown”, which was filmed in Philadelphia’s Chinatown, which combines gangsters, kung fu, and comedy elements.

Kung-Fu. Wiseguys. You’re Welcome!

Vision Films Inc. (“Vision”) announces the VOD and DVD release of the raucous genre mash-up Made in Chinatown from Executive Producer and Writer Mark V. Wiley and Directors Robert J. Samuels and James Lew.

When Aikido Came to America…

Sensei Antonio Aloia grew up in a martial arts family and has spent the better part of his life practicing Aikido. He has spent a significant portion of his academic studies on researching the history of Aikido since it reached America from Japan, he is the author of the book, Aikido Comes to America. This interview was recently conducted by Tambuli Media president, Mark V. Wiley, as a deeper dive into some of the material contained with the Aloia’s ground-breaking book. 

Lameco Eskrima’s “Sulite Orehenal Group”

We as a group fought against each other countless times as well as against others who would be brought in from outside of the group to fight with us on our special “fight-day Sundays” or “Sunday gatherings,” as we would call them. When we would fight in the “backyard,” it was no holds barred; you could close range with much aggression hitting with the “punyo” or “butt of the weapon,” punch, kick, head-butt, elbow, knee, or take your opponent to the ground.

Counter Locks of Derobio Escrima

The art of Derobio has 144 counter locks which are unique to the system. The locks and counter locks in Derobio Escrima are very complex in their simplicity and work at medium to very close range. These locks are applied to the joints, tendons, muscles, nerves and pressure points, effectively shutting down the opponent’s ability to think about anything but the pain.

Does Traditional Kung-Fu Have a Future?

[et_pb_section fb_built=”1″ _builder_version=”4.6.6″ _module_preset=”default” custom_padding=”||3px|||”][et_pb_row _builder_version=”4.6.6″ _module_preset=”default” custom_padding=”8px|||||”][et_pb_column type=”4_4″ _builder_version=”4.6.6″ _module_preset=”default”][et_pb_text _builder_version=”4.6.6″ _module_preset=”default”] Interview by Mark V. Wiley Hendrik Santo is a researcher of Wing Chun…

Timing in Traditional Martial Arts

If we liken a fight to a dance, the attacker is leading the dance, and the defender is
following…acting in the after, responding to the leader, merely reacting. The leader
acts according to their whim, unimpeded, the follower has the difficult task of keeping
up. The leader of the dance is acting in the before. The leader is deciding where on
the floor the dance moves will take both dancers. The follower is merely along for the
ride, with no control, and no say, as they are acting in the after.